At any rate, here's a geographically appropriate Rancid song...
Saturday, November 28, 2009
Return Journey
Bittersweetly, our time in the East Bay is coming to an end, and we're heading back to DC this week. It has been a ton of fun being out in California again, and seeing family and friends on a regular basis. It's hard to believe 3 months is already over. Still, it will be good to be back in DC, and I'm sure we'll be back west sometime in the not-too-distant future.
At any rate, here's a geographically appropriate Rancid song...
At any rate, here's a geographically appropriate Rancid song...
Wednesday, November 18, 2009
The Wire
This video of the 100 best quotes from The Wire has been making the rounds. It's pretty cool if you're familiar with the show - although maybe not the best introduction if you're new to it. (Warning: quite a large amount of obscenity contained therein. Via OTB.)
We just finished netflixing our way through all five seasons of The Wire this year. It has become a bit of a joke to point out that it is the best show on television, but hey, it's really true.
For starters, by now it totally owns the crime drama genre. I'm generally a fan of Law and Order and other such shows, but at this point I mostly feel kind of embarrassed for them. Their cops look like they just came from a shampoo commercial and their robbers look like they're waiting for a call from their agent. The self-contained 40 minute plots seem cliche in comparison to The Wire's highly addictive, sprawling, season-long story arcs.
Of course, the show isn't aiming to build a better crime procedural - it's aiming to illustrate the life of an American city (Baltimore), the people who live there and the institutions they create. The core story revolves around the city's drug trade, both the dealers and the cops who try to catch them. But each season tackles a major public institution -- the unions, the school system, the media, the political machines -- and describes how, more often than not, they fail the people they aim to serve.
Very much worth the time to watch it all, IMHO.
We just finished netflixing our way through all five seasons of The Wire this year. It has become a bit of a joke to point out that it is the best show on television, but hey, it's really true.
For starters, by now it totally owns the crime drama genre. I'm generally a fan of Law and Order and other such shows, but at this point I mostly feel kind of embarrassed for them. Their cops look like they just came from a shampoo commercial and their robbers look like they're waiting for a call from their agent. The self-contained 40 minute plots seem cliche in comparison to The Wire's highly addictive, sprawling, season-long story arcs.
Of course, the show isn't aiming to build a better crime procedural - it's aiming to illustrate the life of an American city (Baltimore), the people who live there and the institutions they create. The core story revolves around the city's drug trade, both the dealers and the cops who try to catch them. But each season tackles a major public institution -- the unions, the school system, the media, the political machines -- and describes how, more often than not, they fail the people they aim to serve.
Very much worth the time to watch it all, IMHO.
Tuesday, November 17, 2009
Happy Birthday Quinn
Happy 2nd Birthday Quinn! We love you very much!

We also cannot believe how time has flown and how much you've grown. Click below to see a bunch of pictures of Quinn over the past 24 months. (You can really see when the hair finally kicked in - whoosh!


Four days

December 2007

March 2008

July 2008

October 2008

December 2008

March 2009

April 2009

July 2009

October 2009

We also cannot believe how time has flown and how much you've grown. Click below to see a bunch of pictures of Quinn over the past 24 months. (You can really see when the hair finally kicked in - whoosh!


Four days

December 2007

March 2008

July 2008

October 2008

December 2008

March 2009

April 2009

July 2009

October 2009
Monday, November 09, 2009
Friday, November 06, 2009
Universal Health Care Now
If you are so lucky as to have a congressional representative and you think that everyone should have access to affordable health care, now might be a good time to give them a call. Tell them to support the strongest possible health bill and ensure that it passes. [Update: It passed.]
Of course, there's a lot not to like about this bill: (a) It's not single-payer, (b) if it does end up including a public option it may be so weak as to not be worth it, (c) it doesn't do anything to break the link between employment and insurance, and (d) it probably doesn't do enough to control costs. [Update: (e) odious amendment from Stupak.]
Still, Ezra Klein and Jon Cohn seem to think it will be better than the status quo. Plus a bad law is likely to be improved, but if reform doesn't happen this year, it may be another 15 years before the political system garners the courage to try again.
There's been a lot written on this topic, but here's a tab dump of some articles I thought were worth-reading:
Of course, there's a lot not to like about this bill: (a) It's not single-payer, (b) if it does end up including a public option it may be so weak as to not be worth it, (c) it doesn't do anything to break the link between employment and insurance, and (d) it probably doesn't do enough to control costs. [Update: (e) odious amendment from Stupak.]
Still, Ezra Klein and Jon Cohn seem to think it will be better than the status quo. Plus a bad law is likely to be improved, but if reform doesn't happen this year, it may be another 15 years before the political system garners the courage to try again.
There's been a lot written on this topic, but here's a tab dump of some articles I thought were worth-reading:
- Our current system is ridiculously expensive. Why the hell do we pay four times more than Canada for basic medication?

Ezra Klein has lots more charts like this one and he got them from an insurance CEO so they're not some pinko commie plot. There's a similar report by McKinsey Consulting that comes to the same conclusion -- Americans overpay for healthcare something like $1,600 per person a year. This New Yorker article by Atul Gawande tries to explain why things cost so much more in the U.S. - Despite all that cash, we don't really have better health outcomes. This report from the Robert Wood Johnson Foundation concludes: "the evidence for American superiority in quality of care (or lack thereof) is a mixed bag, with the nation doing relatively well in some areas—such as cancer care—and less well in others—such as mortality from treatable and preventable conditions."
- The system is inhumane. This interview with Wendell Potter--a former health exec who had something of a conversion experience after witnessing low-income Americans waiting in line overnight for a free health clinic in Tennessee--is very revealing.
- Reform should be good for small businesses. Well, not as good as single-payer would be, but if you believe the White House -- it should be better than what we've got.
Thursday, November 05, 2009
Chemistry from the Future
Here's an interesting Wikipedia nugget I stumbled across yesterday. Currently, scientists have discovered and confirmed 117 elements and arranged them into the iconic periodic table of the elements, which helpfully groups elements according to their atomic structure and chemical properties.
The element with the most protons discovered so far is ununoctium (Uuo, z=118) which is all the way over on the right side of the seventh period (a noble gas). So the natural question arises: what will the table look like when (if?) further elements are discovered? Wikipedia visualizes one possibility for an extended table (click to see larger version):

There are apparently a ton of caveats about this: (a) no one is sure in what order the orbitals are filled, and (b) the very concept of orbitals starts to breakdown above z=137 (Feynmanium) or z=173 (if you realistically model the nuclear force). To say nothing of that fact that these future elements may not be stable long enough to be observed (although many predict an Island of Stability around z=126).
Apparently the extended periodic table was first sketched out by Glenn Seaborg, and this talk shows a more familiar 'stacked' version of the extended table. Anyway, cool stuff I hadn't seen before.
(Apropos: I stumbled across this topic while researching Maria Goeppert-Mayer for work. MGM is the only other female Physics Nobel Prize winner, after Marie Curie. She did ground-breaking work on the shell model of the atomic nucleus while a researcher at Argonne National Lab. Like most pioneering female scientists she encountered just a stupid amount of sexism during the start of her career. Thankfully she stuck it out.)
The element with the most protons discovered so far is ununoctium (Uuo, z=118) which is all the way over on the right side of the seventh period (a noble gas). So the natural question arises: what will the table look like when (if?) further elements are discovered? Wikipedia visualizes one possibility for an extended table (click to see larger version):

There are apparently a ton of caveats about this: (a) no one is sure in what order the orbitals are filled, and (b) the very concept of orbitals starts to breakdown above z=137 (Feynmanium) or z=173 (if you realistically model the nuclear force). To say nothing of that fact that these future elements may not be stable long enough to be observed (although many predict an Island of Stability around z=126).
Apparently the extended periodic table was first sketched out by Glenn Seaborg, and this talk shows a more familiar 'stacked' version of the extended table. Anyway, cool stuff I hadn't seen before.
(Apropos: I stumbled across this topic while researching Maria Goeppert-Mayer for work. MGM is the only other female Physics Nobel Prize winner, after Marie Curie. She did ground-breaking work on the shell model of the atomic nucleus while a researcher at Argonne National Lab. Like most pioneering female scientists she encountered just a stupid amount of sexism during the start of her career. Thankfully she stuck it out.)
Saturday, October 31, 2009
Trick-or-Treat
Here are some photos from Quinn's first (real) Halloween.


Helping carve pumpkins...

Quinn went as a ladybug - which she seemed to enjoy

She was excited about the whole "trick-or-treat" phenomenon, at least in theory. Once we actually knocked on a door she got a little weirded out, so we ended up only hitting 2 houses before heading off to a party.

And she definitely liked the whole candy angle! We dressed up as (naturally) ladybug groupies.



Helping carve pumpkins...

Quinn went as a ladybug - which she seemed to enjoy

She was excited about the whole "trick-or-treat" phenomenon, at least in theory. Once we actually knocked on a door she got a little weirded out, so we ended up only hitting 2 houses before heading off to a party.

And she definitely liked the whole candy angle! We dressed up as (naturally) ladybug groupies.

Wednesday, October 28, 2009
Violence in the Amazon
I meant to blog about this when it occurred, but in June tensions between amazonian indigenous tribes and the Peruvian government boiled over into violence that left dozens of policemen and indigenous protesters dead. The conflict was about oil exploration: the government is pushing for it, the indigenous groups are fighting it.
The incident itself is a little murky, with both sides claiming different stories of "who shot first." Tragically it seems possible that early, inflated reports of the indigenous death count may have led to revenge killings of captured policemen. The fallout does not seem to have resolved the underlying issues at all. You can find good round-ups of news coverage from Amazon Watch and Climate Science Watch.
A few weeks ago, a similar indigenous protest in Ecuador--this time over a new law governing mining and water rights--also turned violent, leading to scores of injuries and at least one death. The fallout from this confrontation seems to be more constructive than in Peru, with the left-wing Correa government accepting talks with the protesters and apparently agreeing to some of their demands. Again, Amazon Watch has the news round-up.
In Ecuador at least, the indigenous people are very well organized, very interested in protecting their sovereignty and (at 35% of the population) a voting bloc to be reckoned with. They are also on the cutting edge of movements for environmental protection. I am less familiar with the situation in Peru, but it is an issue I'm hoping to learn more about.
The incident itself is a little murky, with both sides claiming different stories of "who shot first." Tragically it seems possible that early, inflated reports of the indigenous death count may have led to revenge killings of captured policemen. The fallout does not seem to have resolved the underlying issues at all. You can find good round-ups of news coverage from Amazon Watch and Climate Science Watch.
A few weeks ago, a similar indigenous protest in Ecuador--this time over a new law governing mining and water rights--also turned violent, leading to scores of injuries and at least one death. The fallout from this confrontation seems to be more constructive than in Peru, with the left-wing Correa government accepting talks with the protesters and apparently agreeing to some of their demands. Again, Amazon Watch has the news round-up.
In Ecuador at least, the indigenous people are very well organized, very interested in protecting their sovereignty and (at 35% of the population) a voting bloc to be reckoned with. They are also on the cutting edge of movements for environmental protection. I am less familiar with the situation in Peru, but it is an issue I'm hoping to learn more about.
Labels:
activism
Sunday, October 25, 2009
Stone River

Stone River, by Andy Goldsworthy
I was at Stanford over the weekend for my class reunion and made a point to go see this Andy Goldsworthy installation outside the art museum. The curving stone wall is constructed in a shallow excavation, giving the impression of an archaeological dig or a vein of rock coursing through the earth's crust.
If you're not familiar with him, Goldsworthy is a British artist who uses the natural world -- sticks, leaves, stones, ice, landscapes -- as his canvas. A lot of his work is fleeting, captured only by camera, but lately he has been undertaking these massive curving wall installations.
I always have the same reaction to his work. At first I am wowed by the beauty of nature depicted in his photos, but then I realize that it is not really nature that I'm seeing -- at least not in the way that an Ansel Adams photograph is about nature. There is too much human ingenuity and manipulation out front and in your face; you just don't see patterns like these in the real world. Rather his art is almost a form of abstract design, using "nature" both as the medium and the topic.
Anyway, he's fantastic. There are any number of places to see his work online, such as here or here or here.
A fun side note is that Andy Goldsworthy seems to be the inspiration for a lot of the visual design of Spike Jonze's adaptation of Where the Wild Things Are (which was really good, by the way). For example, see this photo or the structure glimpsed fleetingly at 1:30 in the movie trailer.
Monday, October 19, 2009
Old Crow Medicine Show
A few weeks ago we expeditioned ourselves across the bay to Hardly Strictly Bluegrass, a gigantic free concert in Golden Gate Park. The goal was to hear Neko Case play and then meetup with some friends for the closing show. But due to a titanic public transit fail (involving a very slow, very crowded bus and a surprisingly large number of drunken Brits), we missed Neko.
Argh. Very sad. (But of course no show is ever truly missed when you have youTube).
Anyway, we did find friends and we did catch Old Crow Medicine Show -- a string/bluegrass band from Nashville. They were pretty fun - lots of whoopin and hollerin and instrument-swappin. They crowded together in a tight cluster in the center of a big stage, like they were used to playing in elevators and unfamiliar with all that space. (Much of that night's set is up on YT, including this.)
Good songs too. The song that caught my ear during the show was Methamphetamine. Apparently their big signature song is Wagon Wheel, which was written by OCMS based on a Bob Dylan outtake. Anyway, it's nice to discover a new band - I'll have to keep an eye out for them in the future.
Argh. Very sad. (But of course no show is ever truly missed when you have youTube).
Anyway, we did find friends and we did catch Old Crow Medicine Show -- a string/bluegrass band from Nashville. They were pretty fun - lots of whoopin and hollerin and instrument-swappin. They crowded together in a tight cluster in the center of a big stage, like they were used to playing in elevators and unfamiliar with all that space. (Much of that night's set is up on YT, including this.)
Good songs too. The song that caught my ear during the show was Methamphetamine. Apparently their big signature song is Wagon Wheel, which was written by OCMS based on a Bob Dylan outtake. Anyway, it's nice to discover a new band - I'll have to keep an eye out for them in the future.
Saturday, October 17, 2009
Crude
I just saw the new documentary, Crude, directed by Joe Berlinger about the lawsuit brought against Chevron on behalf of 30,000 indigenous Ecuadoreans over contamination from oil exploration. The film is quite good, probably the best and most accessible introduction to the issue that you will find, although I'm not sure in how many theaters it can be found.
The film focuses on the lawyers, particularly the American Stephen Donziger who has been pushing the suit for decades pro bono (although he stands to make a hefty sum if they win) and the Ecuadoreans Pablo Fajardo and Luis Yanza. Fajardo is the star, self-effacing but quietly charismatic -- he grew up impoverished in the oil fields, putting himself through law school at night to finally lead the legal team, in the process winning international environmental awards and getting profiled in glossy magazines. Donziger comes off as your stereotypical bossy American, although you have to admire the guy's tenacity and street smarts.
The filmmakers are clearly on the side of the locals, although they give Chevron plenty of space to (attempt to) defend their record and don't hesitate to question the motives and tactics of the plaintiffs. Their overall take on the situation is pretty similar to what we learned when we visited the region earlier this year, namely: Chevron is guilty as hell (although PetroEcuador is no angel either) and the prospect of a $27 billion payout has prompted them to pull every trick in the book to avoid it.
The highlight of the film are the on-site inspections of the waste oil pits performed by the court-appointed expert, which serve as a forum for the lawyers to go toe-to-toe. Fajardo presses his case amplified by testimony from a band of local residents, while Chevron is represented by a lawyer who might as well be straight from central casting. Great courtroom drama from the middle of a rainforest.
Anyway, well worth seeing. Here's the trailer.
The film focuses on the lawyers, particularly the American Stephen Donziger who has been pushing the suit for decades pro bono (although he stands to make a hefty sum if they win) and the Ecuadoreans Pablo Fajardo and Luis Yanza. Fajardo is the star, self-effacing but quietly charismatic -- he grew up impoverished in the oil fields, putting himself through law school at night to finally lead the legal team, in the process winning international environmental awards and getting profiled in glossy magazines. Donziger comes off as your stereotypical bossy American, although you have to admire the guy's tenacity and street smarts.
The filmmakers are clearly on the side of the locals, although they give Chevron plenty of space to (attempt to) defend their record and don't hesitate to question the motives and tactics of the plaintiffs. Their overall take on the situation is pretty similar to what we learned when we visited the region earlier this year, namely: Chevron is guilty as hell (although PetroEcuador is no angel either) and the prospect of a $27 billion payout has prompted them to pull every trick in the book to avoid it.
The highlight of the film are the on-site inspections of the waste oil pits performed by the court-appointed expert, which serve as a forum for the lawyers to go toe-to-toe. Fajardo presses his case amplified by testimony from a band of local residents, while Chevron is represented by a lawyer who might as well be straight from central casting. Great courtroom drama from the middle of a rainforest.
Anyway, well worth seeing. Here's the trailer.
Thursday, October 15, 2009
Blog Action Day!
Today is Blog Action Day and the focus is on climate change. At this very instant I don't have anything deep to say about global warming except this: the U.S. is contemplating a complete restructuring of our energy system to address a very serious, but slow-moving, problem. On the crazy off-chance that the science is wrong and climate change isn't really a big deal what is the downside to having restructured our energy system away from fossil fuels and toward renewables? Not so much, really.
UCS's latest report -- Climate 2030 -- finds that policies that transition the country to a clean energy economy will end up saving people and businesses a lot of money through lower electricity bills, energy efficiency, green jobs and the like.
For those of us who live in areas with crappy air quality, reducing conventional air pollution (a potential side benefit of greenhouse gas reductions) could save tens of thousands of lives annually. Yes, that disgusting brown air actually does kill people, mostly via heart attacks and respiratory illnesses. And if you're worried about our dependence on foreign oil or happen to live near a mountain-top removal coal operation, this one is a no-brainer too.
Anyway, for more climate blogging I suggest checking out Dave Roberts, Joe Romm and Andy Revkin. Or check out this really interesting post on the climate impact of your wardrobe.
UCS's latest report -- Climate 2030 -- finds that policies that transition the country to a clean energy economy will end up saving people and businesses a lot of money through lower electricity bills, energy efficiency, green jobs and the like.
For those of us who live in areas with crappy air quality, reducing conventional air pollution (a potential side benefit of greenhouse gas reductions) could save tens of thousands of lives annually. Yes, that disgusting brown air actually does kill people, mostly via heart attacks and respiratory illnesses. And if you're worried about our dependence on foreign oil or happen to live near a mountain-top removal coal operation, this one is a no-brainer too.
Anyway, for more climate blogging I suggest checking out Dave Roberts, Joe Romm and Andy Revkin. Or check out this really interesting post on the climate impact of your wardrobe.
Sunday, September 27, 2009
Not infinite, but without end
I finally finished Infinite Jest, all 1079 densely-packed pages of it. Here's my review, cross-posted from goodreads. Some abstract, mild SPOILERS below - nothing specific that would ruin the book for someone (but avoid clicking the links).
--
Lo in the distant past, my cousin gave me David Foster Wallace's mondo-opus Infinite Jest for xmas. Since then it has lived on my shelf intimidating the other, littler books and taking their lunch money. I started to read it once and got through about 100 pages before my head of steam ran out. Pretty sure I've moved 10 apartments since and lugged IJ with me each time. So when I saw a bunch of folks were organizing an online reading group called Infinite Summer I figured, well, now or never.
Now having finished I think I can say I loved it. Not everything works, but when it does it is pretty memorable. The book demands a lot: the first 200 or so pages are pretty rough going and I found I could only read it when my wits were sharp or else the page-long sentences started blurring together. But once you're acclimated to DFW's strange little world and full-court-press writing style the cumulative whoosh of the plot and the words and the spiderweb of allusions becomes exhilarating.
It helps that the book is funny as hell and full of clever set-pieces (Eschaton!) that beat back the tedium. And yeah, it is tempting to call b.s. on some of his more over-written passages, but for the most part DFW uses his powers for good, not evil. He employs all his post-modern trickery in the service of a big-hearted, painfully sincere (even, sappy) story. The numerous tales of addicts bottoming-out are sometimes quite grim and desperately sad, but that only makes their slow climb to sobriety all the more compelling.
IJ is difficult, but I truly believe he meant it to be as entertaining and as humanly meaningful as possible. (As an aside, I will say that some of DFW's linguistic inventions are so good I've started using them unconsciously -- particularly the howling fantods and de-mapping.)
Finally, I hope it is not too much of a spoiler to say that the plot cuts off quite literally in the middle of the action. The novel is not infinite but it does literally have no end. The feel is of something massive and ornate--a chandelier or a grand piano--snapping its tether and falling. At first there is virtually no discernible movement, then it begins to gain a terrible speed. It glitters ominously as it rushes downward, anticipating a clamorous transformation. But the video reel cuts off just before the crash and noise.
DFW stated that the story's end "can be projected by the reader somewhere beyond the right frame." Which is true, if you carefully track the clues strewn through the book, but also a major "what the hell" moment once you turn that final page. (SPOILER-laden theorizing found here and here, among other places.)
The big idea, presumably, is that the novel's form recapitulates its themes of addiction and entertainment -- broadly, the pursuit of happiness. The abrupt ending conveys that same sense of incompleteness that returns once the buzz wears off, a longing for just one more hit. Indeed, as deeply frustrating as it is to read, a 'traditional' ending with a sense of closure would feel wrong for the novel and the protagonists. Addicts never get closure on their addictions, it is always day-to-day with the possibility of relapse.
Ultimately, I feel like I should give this like 17 stars or something. Not because it is perfect or necessarily the best novel I've ever read, but I can't but help feel tremendous respect for the story he tried to tell. Even the books flaws seem like triumphs.
--
Lo in the distant past, my cousin gave me David Foster Wallace's mondo-opus Infinite Jest for xmas. Since then it has lived on my shelf intimidating the other, littler books and taking their lunch money. I started to read it once and got through about 100 pages before my head of steam ran out. Pretty sure I've moved 10 apartments since and lugged IJ with me each time. So when I saw a bunch of folks were organizing an online reading group called Infinite Summer I figured, well, now or never.
Now having finished I think I can say I loved it. Not everything works, but when it does it is pretty memorable. The book demands a lot: the first 200 or so pages are pretty rough going and I found I could only read it when my wits were sharp or else the page-long sentences started blurring together. But once you're acclimated to DFW's strange little world and full-court-press writing style the cumulative whoosh of the plot and the words and the spiderweb of allusions becomes exhilarating.
It helps that the book is funny as hell and full of clever set-pieces (Eschaton!) that beat back the tedium. And yeah, it is tempting to call b.s. on some of his more over-written passages, but for the most part DFW uses his powers for good, not evil. He employs all his post-modern trickery in the service of a big-hearted, painfully sincere (even, sappy) story. The numerous tales of addicts bottoming-out are sometimes quite grim and desperately sad, but that only makes their slow climb to sobriety all the more compelling.
IJ is difficult, but I truly believe he meant it to be as entertaining and as humanly meaningful as possible. (As an aside, I will say that some of DFW's linguistic inventions are so good I've started using them unconsciously -- particularly the howling fantods and de-mapping.)
Finally, I hope it is not too much of a spoiler to say that the plot cuts off quite literally in the middle of the action. The novel is not infinite but it does literally have no end. The feel is of something massive and ornate--a chandelier or a grand piano--snapping its tether and falling. At first there is virtually no discernible movement, then it begins to gain a terrible speed. It glitters ominously as it rushes downward, anticipating a clamorous transformation. But the video reel cuts off just before the crash and noise.
DFW stated that the story's end "can be projected by the reader somewhere beyond the right frame." Which is true, if you carefully track the clues strewn through the book, but also a major "what the hell" moment once you turn that final page. (SPOILER-laden theorizing found here and here, among other places.)
The big idea, presumably, is that the novel's form recapitulates its themes of addiction and entertainment -- broadly, the pursuit of happiness. The abrupt ending conveys that same sense of incompleteness that returns once the buzz wears off, a longing for just one more hit. Indeed, as deeply frustrating as it is to read, a 'traditional' ending with a sense of closure would feel wrong for the novel and the protagonists. Addicts never get closure on their addictions, it is always day-to-day with the possibility of relapse.
Ultimately, I feel like I should give this like 17 stars or something. Not because it is perfect or necessarily the best novel I've ever read, but I can't but help feel tremendous respect for the story he tried to tell. Even the books flaws seem like triumphs.
Saturday, September 26, 2009
Music Downloads
Here are a few youTube tabs that have been left open in my browser for the last few weeks.
Together with Simon & Garfunkel and the John Denver Christmas album, PP&M were a big part of the sonic background to my childhood (especially Puff the Magic Dragon!) R.I.P. Mary.
Of more recent vintage, the new Mos Def album seems really strong, which is good to hear since his past two albums got such miserable reviews that I didn't have the heart to listen. Glad he's back to form.
Similarly, I haven't really listened to Pearl Jam since the mid-90s, but their new single rocks pretty damn hard I have to say.
Together with Simon & Garfunkel and the John Denver Christmas album, PP&M were a big part of the sonic background to my childhood (especially Puff the Magic Dragon!) R.I.P. Mary.
Of more recent vintage, the new Mos Def album seems really strong, which is good to hear since his past two albums got such miserable reviews that I didn't have the heart to listen. Glad he's back to form.
Similarly, I haven't really listened to Pearl Jam since the mid-90s, but their new single rocks pretty damn hard I have to say.
Saturday, September 12, 2009
Half Dome views
Speaking of high sierra photography. Many years ago I visited Lick Observatory, an astronomical observatory run by the UC, just south of San Jose in the Coastal Ranges. In the lobby they had an enormous panorama of the Sierra Nevadas taken by the big telescope during the daytime. The mountains were some 150-200 miles away across the central valley, and Half Dome was easily recognizable in the center. The only online version of this image I could find was from this website, where the author had helpfully annotated the view.

In the course of searching, I also came across this amazing shot, also of Half Dome, but taken from Turlock in the central valley. Like most commenters, I wouldn't have guessed you could see Half Dome from the floor of the valley, let alone so dramatically.

Interestingly, the photo seems to have sparked a lot of accusations of fakery (for example, here and here and on flickr), prompting others to bust out the Google Earth proofs that, yes, this view is possible (although unlikely due to the constant air pollution and crappy visibility). Part of the confusion is stems from the fact that this photo was taken using a serious, pro-grade telephoto lens, so the scene is highly magnified.
At any rate, two examples of what can be done with serious optical systems.

In the course of searching, I also came across this amazing shot, also of Half Dome, but taken from Turlock in the central valley. Like most commenters, I wouldn't have guessed you could see Half Dome from the floor of the valley, let alone so dramatically.
Interestingly, the photo seems to have sparked a lot of accusations of fakery (for example, here and here and on flickr), prompting others to bust out the Google Earth proofs that, yes, this view is possible (although unlikely due to the constant air pollution and crappy visibility). Part of the confusion is stems from the fact that this photo was taken using a serious, pro-grade telephoto lens, so the scene is highly magnified.
At any rate, two examples of what can be done with serious optical systems.
Mount Whitney panorama
The Astronomy Picture of the Day a few weeks ago was this gorgeous astro-photo panorama taken from the top of Mount Whitney -- at 14,495 feet, the highest peak in the lower 48 states. Click the photo for the full-size version (photo credit: Park Service Night Sky Program).

We climbed Whitney in summer 2000 and for years I had this same (daytime) panorama up on my wall, taped together on a cardboard backing (this was pre-digital camera).
The trail to Whitney is possibly the single most crowded backcountry trail I have ever experienced, particularly given that it is 22 miles round-trip with 6,000 feet elevation gain. I'm sure we encountered over 100 people that day. The lack of oxygen at the top is fierce - I felt like I was taking 3 breaths for each step. Still, a fantastic hike!

We climbed Whitney in summer 2000 and for years I had this same (daytime) panorama up on my wall, taped together on a cardboard backing (this was pre-digital camera).
The trail to Whitney is possibly the single most crowded backcountry trail I have ever experienced, particularly given that it is 22 miles round-trip with 6,000 feet elevation gain. I'm sure we encountered over 100 people that day. The lack of oxygen at the top is fierce - I felt like I was taking 3 breaths for each step. Still, a fantastic hike!
Friday, September 11, 2009
Circum-estuarial exercise
Today's run took me all the way around Lake Merritt, pushing a grumpy Quinn in the jogging stroller.
I have to say it is awesome to have the lake -- and its running paths -- so close to our place. After 3 years of urban running in DC it feels good to break free from the stoplights and traffic and constant hazards and really run. It is too bad the lake is far too disgusting to actually swim in, but it's a pretty great city park.
Apparently the Lake Merritt Joggers and Striders Club hosts monthly fun runs with 5K, 10K and 15K options (i.e. 1, 2 and 3 laps around the lake) which I may have to check out.
I have to say it is awesome to have the lake -- and its running paths -- so close to our place. After 3 years of urban running in DC it feels good to break free from the stoplights and traffic and constant hazards and really run. It is too bad the lake is far too disgusting to actually swim in, but it's a pretty great city park.Apparently the Lake Merritt Joggers and Striders Club hosts monthly fun runs with 5K, 10K and 15K options (i.e. 1, 2 and 3 laps around the lake) which I may have to check out.
Thursday, September 10, 2009
The City & the City
Here's my brief review of China Miéville's latest novel, The City & the City, cross-posted from goodreads. (In an effort to avoid spoilers, I suspect this will seem a little vague. But much of the fun of the novel is in figuring out what he's talking about, so hopefully the vagueness will not put you off reading it.)
--
It is nice to see China Miéville stretch himself a bit with his new novel, The City & the City. I enjoyed Perdido Street Station quite a lot, and while he's touching on some of the same ideas here, this is no repeat.
In some ways the detective genre has disciplined his writing. His canvas is much smaller here than with PSS, his socialist politics pushed to the background and his ornate prose streamlined. He has given himself another rich urban setting--two cities in fact, bizarrely intertwined, the setting for a murder.
And yet I am reminded of a review I once read of Jose Saramago's great novel, Blindness. The reviewer was puzzled as to what, exactly, the plague of blindness in that book represented. He concluded that Blindness was ultimately a novel about "not being able to see." I took that to mean that the book was powerfully resonant of all the horrors of the 20th century - war, genocide, etc. - but in the end abstracted beyond all specifics.
Something similar is happening with TC&TC. Miéville is careful not to make his allegory too ham-fisted. Instead he makes it a puzzle to solve - and a hook on which to hang our political obsessions. Certainly, it seems, he must be talking about the status of immigrants, or minorities, or the invisibility of the poor. Bilingual nations, multicultural cities. Or all of the above. Or something.
Like PSS, the ending is unsatisfying, but for the opposite reason. Here Miéville isn't stuck piling useless subplots atop one another, rather he has over-corrected and cuts his plot short with an ending that left me wanting more more, and not in a good way.
At any rate, I never got bored with this one, and I continue to be impressed with Miéville as a writer. I'm just waiting for him to hit one out of the park.
--
It is nice to see China Miéville stretch himself a bit with his new novel, The City & the City. I enjoyed Perdido Street Station quite a lot, and while he's touching on some of the same ideas here, this is no repeat.
In some ways the detective genre has disciplined his writing. His canvas is much smaller here than with PSS, his socialist politics pushed to the background and his ornate prose streamlined. He has given himself another rich urban setting--two cities in fact, bizarrely intertwined, the setting for a murder.
And yet I am reminded of a review I once read of Jose Saramago's great novel, Blindness. The reviewer was puzzled as to what, exactly, the plague of blindness in that book represented. He concluded that Blindness was ultimately a novel about "not being able to see." I took that to mean that the book was powerfully resonant of all the horrors of the 20th century - war, genocide, etc. - but in the end abstracted beyond all specifics.
Something similar is happening with TC&TC. Miéville is careful not to make his allegory too ham-fisted. Instead he makes it a puzzle to solve - and a hook on which to hang our political obsessions. Certainly, it seems, he must be talking about the status of immigrants, or minorities, or the invisibility of the poor. Bilingual nations, multicultural cities. Or all of the above. Or something.
Like PSS, the ending is unsatisfying, but for the opposite reason. Here Miéville isn't stuck piling useless subplots atop one another, rather he has over-corrected and cuts his plot short with an ending that left me wanting more more, and not in a good way.
At any rate, I never got bored with this one, and I continue to be impressed with Miéville as a writer. I'm just waiting for him to hit one out of the park.
Labels:
books
Tuesday, September 08, 2009
IJ Quote of the Day
"Stice, oblivious, bites into his sandwich like it's the wrist of an assailant." -- Infinite Jest, p. 627
Monday, August 31, 2009
New Town
Hey, so we live in California now! Go figure! We had a gorgeous West-coast-style sunset this evening to mark the event...
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