The new album has a different sound, less P-Funk and more the Clash. You can tell that Boots Riley has been hanging out with Tom Morello because the album has got lots of guitars, sometimes fuzzed out ("The Magic Clap"), sometimes thin and sharp and garage-y, like this one:
Monday, November 26, 2012
We jam the circuit yeah
I've been complaining about the lack of good music these days and about too many kids on my lawn. Clearly my problem has been not listening enough to the Coup. The new album--"Sorry to Bother You"--is fantastic. If you're not familiar with the Coup, they're a hip-hop group from Oakland who've been a well-kept secret since the early '90s. Their music is a blend of political activist hip-hop with funky party music. Serious like Rage Against the Machine, fun and catchy like Outkast, imagining the revolution as a giant block party.
The new album has a different sound, less P-Funk and more the Clash. You can tell that Boots Riley has been hanging out with Tom Morello because the album has got lots of guitars, sometimes fuzzed out ("The Magic Clap"), sometimes thin and sharp and garage-y, like this one:
There's a lot of experimenting on this album and not all of it works, but for the most part the fusion of hip-hop with post-punk, new wave indie rock goes goes down smooth. In terms of rap-rock hybrids, I'll take this any day over Korn or Limp Bizkit.
The new album has a different sound, less P-Funk and more the Clash. You can tell that Boots Riley has been hanging out with Tom Morello because the album has got lots of guitars, sometimes fuzzed out ("The Magic Clap"), sometimes thin and sharp and garage-y, like this one:
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